Where do auto historians get their information?

Auto history bookshelf

(EXPANDED FROM 3/26/2021)

The electronic forum of the Society of Automotive Historians has not managed to generate much activity, but one of its all-time, most-useful useful posts was instigated by Jvolgarino (2021). He asked how did auto historians get their information. This led to a discussion about the difficulties of obtaining primary sources of information.

Perhaps some Indie Auto readers would consider this topic too inside baseball, but my primary goal is to advance the study of automotive history rather than to make that cash register ring by maximizing page clicks. So, for those who are interested, let’s take a few minutes to look under the hood.

Traffic circle sign

Barstool philosophizing or substantive analysis?

My sense is that a core tension in American auto history is between those who see discussion about cars as merely a form of entertainment and those who strive for a more scholarly exploration.

The ideal of those who tilt toward entertainment can be to treat web-based discussions as akin to hanging out at the bar and shooting the shit. The focus tends to be on sharing one’s personal experiences. When opinions are offered, they may often be stated with more passion than facts and logic to back up their claims. This is the opposite of a scholarly debate.

In other words, the two approaches operate by different “language games” (Wikipedia, 2025). That’s why if you throw a car buff into a scholarly conversation — or vice versa — that can lead to contentious moments. This is for an understandable reason: Their language games may be so different that they may be talking past each other.

Why historians are drawn to primary sources

The discussion that follows focuses on how scholars approach auto history. A key goal of this type of researcher is to seek out primary rather than secondary sources of information. A primary source can include an original document such as corporate board minutes, a dated prototype photograph or correspondence from a historical figure.

Perhaps the most popular primary source is an eye-witness account by a retired car designer or higher-level executive. The big problem with this type of information is that it may not be accurate for any number of reasons, from faulty memory to attempts to shift blame. This is why information conveyed in oral histories should be verified by other documentation.

Popular auto history media tend to rely mostly on secondary sources of information, such as books, magazines and newspaper articles. This is for an obvious reason — it can be a lot easier digging into one’s stash of old Car and Driver magazines than taking a 2,000-mile trip to a library that archives relevant historical documents.

Man fixing antique car at LeMay annual car show

Getting primary information can take a lot of work

Walt G (2021) noted that seeking out historical information can be like “wanting to see a car collection — the collection will not relocate for your convenience or pleasure, you have to go to it. It took me years/decades to finally get to see the library at the National Motor Museum in England. Beaulieu is not near London where most people fly into and out of. It was many hours travel to get down to the SW corner of England to get to the museum.”

The historian’s work may have only just begun once they get to their destination. Walt G (2021) noted that library and museum staff can be very helpful, but they won’t have the time to scan desired documents. A historian can thus spend a considerable amount of time digging through boxes and boxes of materials.

Bookshelf closeup

Academics tend to do more archival research

It takes a certain kind of person to enjoy this type of work. For example, Packard historian James A. Ward wrote how he “relished the opportunity to work with typewritten corporate records” (1995, pp. 1-2). This illustrates how university faculty tend to have more interest — and perhaps time as well — to toil away in the back rooms of libraries and museums.

We should be glad that someone does such tedious work. For example, by digging through Studebaker-Packard documents, Robert R. Ebert (2013) found that the corporation’s board of directors had tabled a proposed 1962 four-cylinder junior Lark prior to the arrival of Sherwood Egbert. This is contrary to some other accounts, which apparently relied upon oral interviews or secondary sources.

Also see ‘Wheel spinning happens when car buffs and scholarly historians donโ€™t collaborate’

As we have previously discussed, Indie Auto has focused on analyzing the work of others rather than digging up new information. This is not for lack of interest in spending time working with primary documents. After all, I do have a doctorate. As a multi-tasking retiree, my main limitations have been time and the cost of traveling to the relevant libraries in other parts of the country.

I don’t think there is any substitute for cultivating more scholarly interest in auto history. It’s too bad that a few of the better auto history writers didn’t go get a doctorate and launch a scholarly career. With a clear-eyed strategy, they might have been able to better fund their auto history research.

NOTES:

This story was originally posted on March 28, 2021 and expanded on Sept. 17, 2025.

Share your reactions to this post with a comment below or aย note to the editor.


RE:SOURCES

Robert E. Ebert book about Studebaker-Packard President Harold Churchill

4 Comments

  1. “My sense is that a core tension in American auto history is between those who see discussion about cars as merely a form of entertainment and those who strive for a more scholarly exploration” – thanks for continuing to explain the role of research and first hand information. Thanks also for citing your sources. There was a previous thread about how it would be difficult to design a post grad automotive history program. Those of us who enjoy your research and find it entertaining still appreciate the time and effort it takes for you to produce it. For the audience, it’s going to stir up our anecdotes and observations as we make connections with your work.

    • Lori, my guess is that at least 95 percent of Indie Auto readers are non-scholars who are more interested in entertainment than hard-core scholarship. I’m fine with that because Indie Auto is trying to be a category buster that appeals to a wide range of readers. The comment threads will reflect that — they include everything from personal anecdotes to more indepth analysis. People come as they are and participate in a way that makes sense to them.

      Only once in a while different “language games” can result in a conflict. For example, a new reader will occasionally write a comment that bitterly complains about how an article is dissing their favorite car brand. That’s the kind of reader who may find fanboy websites more satisfying.

      Another time conflict can arise is when a fellow auto history writer stops by and makes a provocative comment without bothering to back it up with facts and logic. If I am not distracted by other tasks I will likely push back against that because I hold these folks to a higher standard. If they want to do barstool philosophizing, they can do that on their own websites.

      So, Lori, I wasn’t signaling that I wanted commentators like you to do anything different. I’m just trying to offer some insights into underlying tensions I see in the auto history media.

  2. I have been a lifelong car enthusiast who also love reading books. Both were enjoyed since I was slightly taller than a grasshopper. My books tends to be in the genre of mysteries…but I also collected car brochures and books on automobiles and trucks. Over the years, I have amassed quite a
    selection of automobile books. I am saddened to see both are of a dying breed. Hardly any manufacturer is producing brochures, and many bookstores and libraries have culled away the automotive books. I am thankful there are some specialized publishers out there printing such books, such as Veloce Books, Motorbooks (MBI), and others.I fear that if we do not step up, we will lose a lot of material and info. I wish we could digitize all the books to be savoured by all as well as historians…but we need to find a way of getting all printed automotive books into a library like AACA’s first. Once appropriate time has passed, the holding library can find a way to digitize it with copyright approvals given by the authors. Massive undertaking but it needs to be done for the hobby, present and the future.

    • Daniel, I agree that digitizing content should be a major focus. I would imagine that there are a meaningful number of us who would be willing to make donations to support such an effort.

      I have seen some discussion over at the Society of Automotive Historians about digitizing content but don’t know the status of that. When you are talking about books, I would imagine that one of the challenges would be copyright issues. At least from afar the AACA would seem to have the most organizational capacity, but I don’t have a clear sense of its internal priorities, although I appreciate that they are making duplicate issues of Automobile Quarterly available (go here).

      Digitizing magazine content is also important, so I was disappointed to see that MotorTrend recently took off line a digitized archives of past issues that was apparently sponsored by Hagerty.

      Meanwhile, the Automotive History Preservation Society’s efforts to rebuild its website has apparently stalled out because I’m no longer finding a fair amount of content on its new website that was on its old one. That situation smells like it was sparked by a turf battle, but I’m not sure I want to look under the rock to find out more about it.

      In short, it feels like we have a dying field. I hope that’s not the case, but I think it is important to be honest about what I’m seeing.

Leave a Reply

Your email address will not be published.


*